Fiscal impact reports (FIRs) are prepared by the Legislative Finance Committee (LFC) for standing finance
committees of the NM Legislature. The LFC does not assume responsibility for the accuracy of these reports
if they are used for other purposes.
Current FIRs (in HTML & Adobe PDF formats) are a vailable on the NM Legislative Website (legis.state.nm.us).
Adobe PDF versions include all attachments, whereas HTML versions may not. Previously issued FIRs and
attachments may be obtained from the LFC in Suite 101 of the State Capitol Building North.
F I S C A L I M P A C T R E P O R T
SPONSOR Tsosie
DATE TYPED 03/03/05 HB
SHORT TITLE Native American New Deal Art Day
SB SJM 90
ANALYST Weber
APPROPRIATION
Appropriation Contained Estimated Additional Impact Recurring
or Non-Rec
Fund
Affected
FY05
FY06
FY05
FY06
NFI
(Parenthesis ( ) Indicate Expenditure Decreases)
SOURCES OF INFORMATION
LFC Files
Responses Received From
Department of Indian Affairs
No Response Received From
Cultural Affairs Department
SUMMARY
Synopsis of Bill
Senate Joint Memorial 90 (SJM 90) designates March 7, 2005 as “Native American New
Deal Art Day” at the legislature. The measure does the following:
Recognize Pablita Velarde and Harrison Begaye, the two living representatives of
the group of New Deal artists.
Honor the memory of New Mexico’s other Native American New Deal artists
through their families.
Commemorate and celebrate the work of the Native American New Deal artists as
among the greatest accomplishments of New Mexico.
That the legislature celebrate the lives and contributions of those artists
and preserve their accomplishments to share with future generations.
pg_0002
Senate Joint Memorial 90 -- Page 2
Significant Issues
Indian Affairs offers the following.
In the 1930s, President Franklin D. Roosevelt proposed a program referred to as the New
Deal, to help pull the U.S. out of the Great Depression. The New Deal focused primarily
on helping farmers, industry, investors, and the desperately needy, and also encouraged
and supported the arts by providing work for artists, writers, actors and musicians
through a program called the Works Progress Administration (WPA).
The purpose of the WPA was to create jobs through building highways, bridges, parks,
schools, public works of art and other projects. The WPA provided an opportunity for
many of New Mexico’s Native American artists to create artwork for public buildings
throughout New Mexico. Among the best-known New Deal Native American artists are
Pablita Velarde and Harrison Begaye.
Pablita Velarde, New Mexico's only living New Deal woman artist, was born in 1918 at
Santa Clara Pueblo. She attended St. Catherine’s Indian School as a child. She went on to
the Santa Fe Indian School where she studied with other Native American artists who
also worked in the New Deal Federal Art Project. Her major collection of New Deal art
can be found at Bandelier National Monument where she was hired by the National Park
Service to paint renderings of pueblo daily life. In addition, it is believed that her New
Deal artwork was also sent to other U.S. Indian Service locations though the sites are un-
known.
Harrison Begay, Navajo, was born on November 15, 1917, at White Cone, Arizona. In
1934, at age 17, he entered the Santa Fe Indian School where he studied with other Na-
tive American artists. Begaye served as a muralist in the WPA. The location of many of
his New Deal murals is unknown, however, beginning in 1939 Begay did help paint the
famous murals found at Maisel's Trading Post in Albuquerque. After serving three years
in the U.S. Army in Europe and Iceland during World War II, he returned to civilian life
and currently works as a full-time painter.
Although many of paintings created by New Deal Native American artists still exist in
museums and public buildings today, some have been painted over, destroyed, or stolen
during the course of the past 60 years.
MW/lg